Creative Writing

All information from previous years can be found by clicking here.

Articles for the web site may  be sent to bolu3a@outlook.com

January 20th 2020

Haiku poems, essays on how to make a cup of tea, how to drill a hole and mindfulness. Our resident poetry expert then gave us an introduction to various kinds of poetry – fascinating! Is there no end to this group’s talents?
We shall see next month as the challenge is to write a flash story or crime report that begins with a body being found at Stonehenge. Think you’re up to it? Have a go and bring it to our next meeting on Thursday 20th February.
Rose

January 16th 2020

The minutes for the last meeting were read by Rose and agreed.
Following this we had a discussion about Copyright with a warning that
although Copyright remains with the creator for pieces written by ourselves – and for ourselves – if we agree to our work being published in a journal or book, then Copyright would automatically pass to the publishers. U3A already holds its own Copyright for
writing or other creative materials made public in its own publications or on its web site.

Last month we discussed George Orwell’s ‘A Nice Cup of Tea’ and it was decided that we should each write an article on ‘How to …’ , each member to choose
their own topic. We produced a varied number of ideas, and discussed whether
a separate file attached to the website titled ‘How To …..’ may be a practical
activity,  although nothing concrete was decided.

The rest of the meeting was in Barbara’s capable hands as she introduced us to
the art of writing poetry. We learned the difference between poetry and prose
and how to write a sonnet. When writing poetry we were told to write rather
than try to construct a form first, then reshape with as many drafts as required. The title may be used as a trigger or can determine itself as the poem progresses and be added at the end. When writing poetry, there is a  popular and memorable form, with 10 syllables and 5 stresses to each line, (known as iambic pentometer), which apparently fits in well with the English language and ties in with the heartbeat (de dum de dum de dum de dum de dum). However, there are no rules and writing poetry is dependent on
personal choice. The emphasis of a poem may be a narrative or not, abstract
or not, symbolic or not, but thoughts, feelings and empathy can underline a
natural line break and make it more memorable, as does rhyming. Clichés should be avoided.

Our ‘homework’ for next month we will be to write a short story about a ‘Midsummer Murder’, although any poems would also be welcomed.
New members are always very welcome, you might surprise yourself!

December 19th 2019

This month our group shared their thoughts and reflections on the subject of autumn, in the form of short stories, memories and poems, some as colourful as the subject itself.
We were then asked to consider what we wanted to do in the coming year (2020) and it was agreed that we should write and put together a collection of short stories. Several titles/prompts from a recent writing magazine were suggested and eagerly accepted.
At the (16th) January meeting Barbara has offered to share her understanding of poetry with us. I’m not alone in only being able to write poems that rhyme, it seems, so I look forward to being enlightened.
In the meantime, here is a challenge for you: –
George Orwell wrote an essay in 1946, a time of rationing in this country, about “A Nice Cup of Tea”. You will need to google it if you don’t already know of it. He managed to write, very eloquently, two full pages on the subject. As a non-tea drinker myself, I can only wonder why he would bother but do you love your cuppa enough to write at length on how it should be made and served? If so, bring it along on the 16th and we’ll even make a cuppa for you!
Rose